

If you see a number of people from Asian cultures playing classical music originating from Europe, does that mean it has become part of their culture? What if they are appreciating music from another culture? What if their families originate somewhere in Asia but they feel no connection to that place? Or what if there are more extracurricular opportunities for European-style orchestras than for other kinds of musical ensembles from other cultures?
The Great Replacement Theory is a racist and antijewish lie.
Edit: a white person who put in time and effort learning to play the Erhu, understood a reasonable amount of its history and context, and showed real respect for it would be fine.
It’s possible, sure, but you’d have to do a study. As I mentioned, there are plenty of ways to interpret it.
Ah, OK! I think “if white people were defensive of their culture” is what threw me.
To begin with, there can always be some jerk out there who gives you a hard time no matter what, or who has had so many bad experiences with ppl thoughtlessly appropriating culture that their mind is just closed and they react badly. You’d just have to defend it and let reasonable ppl see that that person is wrong to call you out. That aside, I think showing respect means that if an instrument is sacred for some reason (I have no idea if the Erhu is), you don’t play it in a profane or silly way. Outside of that, using an instrument as like a way to make fun of the culture would be bad (e.g. playing it whenever a stereotyped character appears on screen). Just my two cents.