

I remember reading something from a sound editor for movies and TV. Essentially no director wants to halt production and re-do a scene because the audio is bad. It’s pretty hard to redo a scene if the camera didn’t get a good shot, it’s even harder if the camera was good but the audio was off. Most directors will just say “Just fix it in post”.
But, there aren’t really enhancements for audio. A bad segment of audio is always bad. You can’t just amplify the hell out of it and have it sound good. So the lower the budget the movie, the more costly it is to redo a shot, and the more likely they’ll tell the sound guys that they’ll have to deal with it.
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